F O L K L O R E
C H I L D R E N S' B O O K S
P O E T R Y
in The Conversation
March 18, 2019 6.47am EDT
Cora Lynn Deibler
The University of Connecticut Archives houses the Maurice Sendak Collection of original sketches, book dummies, artwork and final drafts —nearly 10,000 items in all. In this article, UConn professors Capshaw and Deibler trace the evolution of Where the Wild Things Are, beginning with a 1955 dummy (title: Where the Wild Horses Are) to early trial versions of the book’s jacket. In the 1955 dummy, a child pulls the tail of a horse, and the horse kicks him right out of his clothes, foreshadowing a later book, In the Night Kitchen).
The online article features reproductions of Sendak’s early artwork for the book.
I read Where the Wild Things Are aloud hundreds of times to all sorts of groups, and I wound up loving Sendak’s writing as much as his art. The text is so dramatic. And it’s a composition in verse, with a mesmerizing slow beat, repetition, alliteration. Like any good poem, the text of the book inscribes itself in memory. When you read a picture book aloud, it’s so nice to be able to “read” your audience rather than always focusing your eyes on the page.
For terrific rhyming Sendak, of course, you can’t beat Pierre, which is also easy to learn by heart.
I am an author and folklorist based in Portland, Oregon.
The Great Dictionary Caper, illustrated by Eric Comstock (Paula Wiseman Books, Simon & Schuster, 2018)
**Starred reviews from Publishers' Weekly, Kirkus, and Booklist.
Wild About Books, illustrated by Marc Brown. (Knopf Books for Young Readers, 2004). New York Times Bestseller, ALA Notable Book, and winner of the E.B. White Read-Aloud Award.
Imagine That! How Dr. Seuss Wrote 'The Cat in the Hat"
(Random House, 2017). Illustrated by Kevin Hawkes.
*Starred reviews from Publishers' Weekly and Kirkus.